Case Request Form

The Birth of Tencent Music Entertainment

REF ID : UST106
HBP Product : ST106
Case Author : Prof Winnie Qian PENG and Prof Martin A. MISZERAK
Publication Date : 11.02.2022

Abstract

The case addresses the birth of Tencent Music Entertainment Group, China’s music streaming leader.  The case features two protagonists.  One of them is Guomin Xie, a legally-trained senior executive at Sina.com, an early and highly influential Chinese internet company, employed in the period approximately from the beginning of that company’s existence in the late 1990s until 2012.  It was a highly challenging period for China’s legitimate music market resulting in pervasive piracy.  Among Guomin Xie’s corporate responsibilities at Sina.com was acting as the head of Sina Music, a fledgling music streaming platform, which in turn enabled him to gain an extraordinary familiarity with China’s struggling music market.  Aided by his legal education and experience with China’s imperfect copyright enforcement, he became consumed with a vision to create a major new company which would help kill the piracy cancer.  The business model of the new company would combine streaming of legitimate music with exclusive ownership or rental of music copyrights.  As the top management of Sina.com was not interested in pursuing Xie’s vision, which would require major investments, he quit his job in 2012 and turned to entrepreneurship by founding China Music Corporation (“CMC”).  He was faced immediately with three main challenges in his entrepreneurial career – (1) to enter into exclusive copyright agreements with music labels; (2) acquire two existing music streaming platforms; and (3) pursue fundraising.  By September of the following year, he made good progress on the first two objectives, but still needed to close in on fundraising in order to complete challenge.

Learning Objectives

Learning objective encapsulates the following:

a.   How a senior executive of a major Chinese internet company spotted an extraordinary business opportunity.

b.   How the entrepreneur created his company by means of “inducing” two existing music streaming platforms into a business combination.

c.   How the company managed to thrive in a regulatory “window of opportunity.”

d.   How the private equity investor applied his earlier training to zero in quickly on the company’s powerful “barriers to entry.”

e.   How the “entrepreneurial” character of his investment differed from a “traditional” private equity.

Company/Organization Tencent Music
Industry technology, private equity, Music streaming
Major Discipline Entrepreneurship
Subject(s) Innovation, Entrepreneurial leadership, Private equity negotiation and structuring, Impact of regulatory changes on business model
Geography China
Case Nature Field
Page count of the Case 17
Teaching Notes 5
Publisher HKUST
Last Revision Date 09.02.2022